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The skill of war to us not idly giv’n,

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The Iliad

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ON THE ILLIAD

The Odyssey

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The Illiad & The Odyssey - A B&N Leatherbound Classics Review

The Iliad

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The Iliad

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The Iliad by Homer. Search eText, Read Online, Study, Discuss.

Jove sat for a while silent, and without a word, but Thetis still kept firm hold of his knees, and besought him a second time. "Incline your head," said she, "and promise me surely, or else deny me- for you have nothing to fear- that I may learn how greatly you disdain me."

You want large scale clashing armies? You’ve come to the right place. Even matched duels or obviously unmatched duels? Check out the long one-on-one combat descriptions, or that crazy nonsense between Paris and Menelaus. Spy thriller? Odysseus’s nighttime raid totally fits the bill. Nail-biting special ops missions? The Trojan Horse ruse has your name written all over it. Swords-and-sorcerers magic adventure? Try anything with the gods busting in on the action, like, say, that whole Laocoon fiasco. Snakes—yikes.

SparkNotes: The Iliad: Plot Overview

  • Anthony Bainbridge says:

    I’ve just finished reading the Verity ‘Iliad’ and have been gripped and enthralled by it. My previous favourite had been the Fagles/Knox, and there’s no denying the skill and power which Fagles brings to bear on his translation, but for me his rhythms too often got in the way. The Verity takes me straight to the core of the matter, in language which is both adequately rhythmic, as all translations of poetry should be, and at the same time modern in its word use. And Barbara Graziosi’s introduction opens doors too. George Steiner once said: ‘That it is untranslatable is almost a definition of poetry.’ In Verity we are allowed to believe that a new effort is always worth making. Mathew Arnold would agree.

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  • Welcome to the Hum 110 Iliad Homepage

    The god’s are an undeniable presence in the story of the Iliad and other than Achilles they just might be the most important aspect of the entire story. The will of the Gods plays a large role in the events of this epic, and the Gods themselves form an intriguing sub story. Concepts of gods then and now vary drastically but also have some strange similarites.

    Fitzgerald has solved virtually every problem that has plagued translators of Homer. The narrative runs, the dialogue speaks, the military action is clear, and the repetitive epithets become useful text rather than exotic relics. "Atlantic Monthly " Fitzgerald s swift rhythms, bright images, and superb English make Homer live as never before This is for every reader in our time and possibly for all time. "Library Journal " [Fitzgerald s "Odyssey" and "Iliad"] open up once more the unique greatness of Homer s art at the level above the formula; yet at the same time they do not neglect the brilliant texture of Homeric verse at the level of the line and the phrase. "The Yale Review" What an age can read in Homer, what its translators can manage to say in his presence, is one gauge of its morale, one index to its system of exultations and reticences. The supple, the iridescent, the ironic, these modes are among our strengths, and among Mr. Fitzgerald s. "National Review" With an Introduction by Gregory Nagy"